Movie Monday: "Cats of Mirikitani," a film by Linda Hattendorf, 2006.

I saw this documentary several years ago and then rediscovered it again this last weekend. The messages of this film, for me, stand as an important reminder not only of significant events in American history, but also as a mirror for our preconceived notions on the stories of the countless homeless.

The film takes place mainly in Manhattan over the course of a couple years, beginning in late 2001. Tsutomu Mirikitani lives along a wall near a Korean Market on McDougal and Prince Street, creating artwork each and everyday. His mobile studio includes pens, crayons, chalk and paints, and his canvases include cardboard and scrap paper. With the events of September 11, 2001 breaking around him, he continues doing what he does best, creating memories through artwork. Shortly after 9/11, Ms. Hattendorf invites Mirikitani to stay with her for a period of time, to avoid the choking dust and debris still permeating the air around the World Trade Center site.

Over the course of the film, Hattendorf uncovers more and more details of Mirikitani’s life, including his birth in Sacramento, California and experience growing up in Hiroshima City, Japan. He returns to the US shortly after the opening of World War II. In his early twenties, and as a lawful US citizen, Mirikitani entered Tule Lake Internment Center in Northern California, where he signs a government document revoking his US citizenship. The film follows not only the story of his relationship with his new friend and documentarian Ms. Hattendorf, but also unveils some of his backstory that led to living on the streets in NYC.

The important messages of this film not only center on the plight of the mobile homeless, which continues to be an issue for social services nationwide, but also a reminder of the dark times in US history and of justice deferred. Far too easy to dismiss the internment of Japanese American citizens during WWII as history and not applicable today, one need only review the rhetoric of political demagogues against our Muslim citizens to realize such events could repeat themselves. Mirikitani expresses his anger and lingering, seething disgust at the events of World War II, and memorializes his experience in the internment camps through his artwork. He neither asks for nor wants anything from the US government, even as Ms. Hattendorf and her team work tirelessly to recover Mirikitani’s citizenship information and secure more public assistance for him in his advanced years.

The latter part of the film is lovely, as Mirikitani and Hattendorf slowly bring his story into the present moment, and realize that he is not alone in this world. Over time, family members are found and Mirikitani sees opportunity to work past what happened, and truly begin to see his life in the present moment.

Nancy Wong via WIkimedia Commons

"Janice Mirikitani in front of the International Hotel in San Francisco, January 1977"

The film is not always easy to watch, particularly at moments when Mirikitani’s cantankerous attitude aims at the filmmaker. I sometimes felt like Mirikitani didn't appreciate some of the kindnesses the filmmaker expressed, but after realizing his long history of being outside normal social channels, I feel more kindness towards his perspectives. Even though he sometimes criticizes the filmmaker’s decisions, once reprimanding her when she goes out to a movie and comes back to her apartment far later than expected, he does so because of worry and care for the young woman. Other moments legitimately made me tear up a little, particularly when the film explores recollections of the camp experience and of lives lost.

I encourage everyone to check out this film when given the chance. It is rather short and moves along at a good pace. It successfully introduces audiences to one story that helps humanize the events against Japanese American citizens during WWII that may only be known through textbooks. It also humanizes the ongoing social issues surrounding homelessness and our own personal notions of just who the homeless are.

Purchase "The Cats of Mirikitani" via Amazon

Hapless Historian Highlights!

Reworking the Writing

By Abadvibes via Wikimedia Commons

“Antonio Abad”

Here’s What’s Coming Up

In light of recent changes in my goals, I’m refocusing this space to highlight Fil-Am history, US history and my own reflections on these topics. Posts will come each Monday. This space will focus across the spectrum on articles, film and cuisine experiences I find interesting, and ones that may interest a few people who visit this blog.

Please let me know what you’d like to see in the coming weeks, as I am always looking for your perspectives!

In the meantime, here’s a few highlights from the past year or so. These are moments I liked and ones you might want to revisit. Feel free to comment or message me if you’d like to know more! Thank you for your time and continued support.

Hungry History Highlights

Hungry History: Filipino Arroz Caldo!! (Lugaw)

This is a lovely, savory rice porridge that I was introduced to in graduate school. It comes in powdered instant versions, but is not complicated to make with a good recipe. Like many Filipino recipes, this seems to be one where each family has their version. The key is good quality ingredients and knowing where you need to make adjustments for your family’s needs. Water and chicken broth can be mixed to adjust the sodium levels.

Hungry History: Sandwiches!!

I was always curious where the word “sandwich” came from, as I was curious about a number of words we use (did you know the English “typhoon” has Chinese and Persian origins?). Additionally, I was wondering about the short history of something as popular as the American sandwich, which has a place in nearly all of my generation’s sack lunches (does anyone use sacks anymore?). I also made a really yummy sandwich that inspired this post, pictured!

Hungry History: Spam Musubi!!

Surprisingly, I’d never had these Hawaiian specialities, even after my short trip to the Islands. I had always thought Spam was a mystery meat of questionable quality, but was happy to find it can be used to make something really yummy!

Movie Monday Highlights

Movie Monday: "The Patriot," a film by Roland Emmerich

Admittedly liberal in historical accuracy and heavy on emotional appeal, the star power of Mel Gibson, coupled with the patriotic (pun intended) narrative, makes the awareness of this film no surprise. While it goes out of its way to vilify the British, and does look favorably on the Rebels, it does reflect many ideals that our nation, including the belief than anyone, regardless of skin color, has an opportunity (albeit unequally) to make something of themselves. It is also entertaining as one of my “guilty” history-related pleasures.

Movie Monday: "The Mountain Thief," a film by Gerry Balasta, 2010

This was an eye-opening film for me, particularly as it relates to the Philippines. While I had come across poverty in my graduate research before, I don’t believe many films capture the sheer gap between haves and have nots as this one. It is undeniably real in its portrayals, and I’m so thankful it had English subtitles. As I mention in the review, I believe this film “should be required viewing for all college students, ‘first world’ citizens worldwide, and professed religious individuals who would seek to know and better the world,” so everyone can understand the side effects of political and economic inequality.

Proud Moment!

My Winning Submission: EDSA/People Power Revolution Essay Writing Contest

I’ve already posted this multiple times, so please excuse me, but it still stands as one of my more proud recent moments while working on this blog. The Bay Area Fil-Am community members were very welcoming and had nothing but positive things to say about my submission. I was thankful to share the stage with several key Fil-Am and Filipino community members, as well as many talented writers and artists from music and poetry. I’ve made professional connections and reconnected a little with my Filipino and Fil-Am heritage. Thank you all so much!

Here’s to the Future

I am excited to move forward with my blog project, and for the topics and writings I have in the works. I want to thank you for your ongoing support, please click “Like” and keep in touch on Facebook to help guide where the content goes from here. Thank you so much for your ongoing support!

Digging the Dinardaraan!

Digging the Dinardaraan (Dinuguan)

Ways I Reconnected With My Pinoy Heritage

Many second through fourth generation young people of mixed heritage have a challenging task of balancing their American (or majority) culture with their family or ancestral culture. Particularly if you are like me. My mom and her brothers are very Americanized and I was too young to ask those deeper questions of my Ilocano, elderly grandfather and very private grandmother (both since passed). Without the stories of the past, of my grandparents’ lives in the Philippines and their eventual immigration to the United States, I can only piece together bits of their unique story. As it stands, my adult self feels very ignorant of my Filipino heritage but I deeply wish to to learn where I can. While I have a long way to go, here are a few ways I have begun reconnecting with pieces of my cultural heritage.

Extended Family Members

Talk to and connect to any and all extended family members you can! Filipino families are “notorious” for having numerous cousins, uncles, aunts, lolos, lolas and other family friends who are more than happy to share their experiences with you. In Filipino cultures, “it takes a village” takes on a whole new meaning. If you can’t visit them outright, reach out by calling and talking with them, sending them an email, connecting via social media or taking them out to coffee. You can start a private “family” group on Facebook, then invite your extended family to participate by sharing stories or photos, etc. Any way you can find to ask about your family heritage will help you discover new things.

Read!

The Internet is not just for cat videos ( they are cute, aren’t they?)! It can be a fantastic source of nearly unlimited information on just about any culture present, past (or future??) for you to learn. Outside the Internet, books, magazines, articles, blog posts, newspapers and radio broadcasts abound. Pretty much anything that might give you insight into your target culture is fair game. Better if you understand one or more of your target culture’s languages, as a variety of media gives a fantastic insight not only into past events, but current events that may be missed in mainstream American media. Focus on things you find interesting, such as dance or sports. Not only will you be more likely to stick with it when your research hits a roadblock, but you’ll be able to strike up conversations with others about topics you’re both passionate about, a sure way to connect even more!

Participate!

Social Media

Related to connecting with extended family, take a look at social media. Seek out people, places and organizations on Facebook, Linkedin, Instagram, Twitter and others related to your target culture. I have personally expanded my cultural network to include the Philippine American Writers and Artists, Inc (PAWA), the Filipino American National Historical Society, and the Kalesa Traveler and Positive Filipino magazines. This has resulted in both fantastic networking opportunities and chances to learn more about the Filipino diaspora across the United States.

By Maki R. (Own work) via Wikimedia Commons

EDSA People Power Monument, Philippines: Getting involved in celebratory events and learning about your heritage through study is one of the best ways to reconnect

Social events and contests

Once you’ve found a variety of interesting organizations through social media, keep up to date on potential contests and events in which to participate and contribute. It is a rare organization that will deny an interested volunteer a chance to participate! I wrote a submission for the EDSA/People Power Revolution Essay Contest, sponsored by PAWA, Inc, and won! I met many awesome people from the Fil-Am community in the Bay Area I otherwise would never have met.

Language learning clubs

Language is a fantastic way to connect with your heritage, as it gives valuable insight into so many aspects of the culture. Words used for food, animals, ways of life, professions, religion, etc are all communicated through language, and provides a door to media and music that might otherwise be closed. You will also meet others interested in the same thing as you, which will make the journey that much more enjoyable. Make sure to be patient and try to stay positive while experiencing the journey, it will likely be an enjoyable, lifelong pursuit.

Social Gathering clubs

Colleges and local communities often have events and clubs focused on a specific region or nation of the world. Chinese American Club, Asian American clubs, Filipino Culture club, and many others are just a few examples. Sports clubs might tailor themselves around a specific nation’s sport, including Sumo or Escrima or boxing and martial arts. These are good areas to check out and connect with similarly interested people. It offers some of the same benefits as the language learning clubs and culture organizations, in that sharing community with people interested in some of the same things makes the experience much more enriching.

Media and Film

Popular media is another great way to experience a variety of aspects of your target culture. If the specific country has a film industry, seek these out on Amazon, Hulu, Netflix or other avenue that tailors to international films. I found that daytime Filipino dramas are highly popular, and stand up in passion and intensity with some of the best soap operas in the United States. Often, if movies or tv shows were released widely enough, there will also be subtitles (or dubbing) accompanying the original language, in English or your language. Watch them multiple times and see what aspects of the characters peak your interest, be it where they live, their profession, their mannerisms, their favorite food, etc.

By CapnPrep via Wikimedia Commons

Fusion food culture in Asia: Rice-bun fast food (chicken?) sandwich,

Cook!

Everyone eats! Food and culture are intimately tied together. Food speaks to the region’s geography, culture and language. Search out recipes you’re interested in trying on the internet, or rent or buy a cookbook specializing in your chosen culture’s cuisine. Pick a leisurely day (often on the weekend) to shop and try out one recipe of your choice. Take the time to appreciate the different ingredients (maybe only available at a specialty market you may never have been to!) and the people who shop for the ingredients. Ask questions of your friends and family, if you are unsure about anything. Cooking not only helps you try the food of your target culture, but also connect in many ways with the past, as well. I happened to cook sinigang for the first time with a good Filipino friend in graduate school, and loved its strikingly pungent, vinegary goodness. The first time trying balut and dinuguan was definitely a culinary adventure, but I am so glad to have seen many sides of Filipino cuisine.

By GracinhaMarco Abundo (Dinuguan) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

My first time trying dinuguan (or dinardaraan in Ilocano) was in Daly City, CA. It was delicious after a long day of traveling. It had a very earthy, meaty texture and deep flavor, perfect with rice.

Take Action!

These are just a few ways we young, second through fourth generation, mixed parentage people can reconnect with a cultural heritage we may not have been able to experience as a kid. Maybe your family was like mine, and didn’t really practice or teach you much of their own culture. As a young person or an adult, you can feel a little closer to your grandparents and their parents by trying out a few of these tips.

Was there something I missed? Have you found something else that helps you keep connected? I’d love to hear about it!

Mabuhay!

Movie Monday: "The Mountain Thief," a film by Gerry Balasta, 2010

By Kounosu (Own work (own picture)) via Wikimedia Commons

"The Mountain Thief," a film by Gerry Balasta, 2010.

There are always a few films that speak to the senses on a deep, personal level. Stories of humanity, particularly ones that burst open the small cultural and social bubbles we all find ourselves living in, are particularly powerful and necessary. "The Mountain Thief," I believe, should be required viewing for all college students, "first world" citizens worldwide and professed religious individuals who would seek to know and better the world. "The Mountain Thief" shows viewers what happens when communities are forced, by powers far beyond their own immediate influence, to survive on the garbage of others. These individuals find their sustenance by sifting through and reselling recyclables from the trash of the more wealthy people in the Philippines (but this plays out in so many areas across the world). It shows that conflict and community are possible in even the most trying circumstances.

What strikes me about this film is that all the actors are amateurs. In fact, all of them are scavengers in the Philippines, so this leads to an air of realism unattainable by even the most seasoned professional actors. I encourage viewers to watch to the very end, as the filmmakers describe the real lives and dreams of the actors who took part in this film. While many of their dreams may seem trivial to a first-world viewer, they show just how disparate the bounty of "modern living" is distributed throughout the world. Among a few are to cure a son's club foot, to learn to use a computer, to build a home at the foot of mountain of trash, to learn to read and write. These are things we as Americans take for granted, as an unalienable right as Americans, and things that are largely unavailable and unobtainable to many throughout the world.

The film opens as a Simon, the communities drug addict (he sniffs glue, paid for by stealing from other scavengers) is stealing a small sheet of corrugated metal from another family's makeshift roof. He is found out and runs away through a maze of shanty neighborhoods, running into Ato and Elmer on their way to the makeshift basketball court. He stumbles into Julio and his son, Ingo. They are newly arrived from a war-torn region in Mindanao, where his family owned rice fields that were burned in the fighting. They are seeking to survive through scavenging in Little Hope, the community at the foot of the trash mountain. The film makes no illusions as to the circumstances of these individuals. Survival is their daily aim, and though community exists, most are looking out for their own (and their family's) interests.

One of the best things about this film is that it pulls no punches. It also ends rather ambiguously, which may upset some viewers of modern Hollywood film-making. The film understands its own circumstances and does not give the viewer the satisfaction of a happy ending, particularly because for individuals like this film, there is no guaranteed happy ending.

You may be wondering why this film is even worth watching, as it seems to be a real downer. Well, in actuality, it kind of is, considering it is reality for many across the world. There are lighthearted moments, particularly with Ingo, who listens to the local religious zealot Ato teach about prayer, then acts it out on the highest mountain of garbage, because it is "beautiful up there, and close to the heavens." Ingo and his friend find and enjoy an unopened can of soda, a rare treat.

The film is edited to be rather artistic, as scenes will replay to emphasize the overall narrative, and some scenes will not make sense until later in the film. It reminded me a little of the film version of Gandhi, where the viewer sees the inevitable end of the film immediately, but does not understand the context until watching the entire film.

In the end, this is a very powerful statement on the state of the developing world, and asks the developed world just what our role is in perpetuating this environment. As consumers, do we have a moral obligation to address the "end" result of our consumed goods? This film also reflects on, though not explicitly, the historical circumstances that developed this environment.

Did the independence of the Philippines come too rapidly? Would the Philippines have been better off as a territory for a while longer, until basic infrastructure and stability could be achieved (like in Japan, post WWII?)

Although politics seems to play a small role in the film directly, viewers who know will recognize the handy work of corruption in the Philippines, among politicians and other wealthy families who benefit from others' poverty. But these actors care little for politics and international policy. They are looking for a few pesos to buy a little rice to feed their families for another day.

To see how you can contribute to the Mount Hope Project to help the actors in this film, see "The Mountain Thief" website here.

Stream or Purchase "The Mountain Thief" from Amazon.