Mixed Bag Monday

Here's a compiled collection of stories that peaked my interest over the last week, with a little of my own comments on the significance of the stories.

By Staff Sgt. Teddy Wade, via Wikimedia Commons

Jessica Sanchez sings during the National Memorial Day concert in Washington D.C., 2012.

Jessica Sanchez Performs on American Idol Season Finale - Exposure is important for the Fil-Am community in the US, especially when it has been so easy for Fil-Am narratives to be written out of history and current events. Hardly anyone knows about the other half of the labor strikes of the UFW were Filipinos. While I may not agree with all of Jessica’s mannerisms, I believe any positive exposure that makes people go “Wow, where did this person come from?” And maybe ask a few questions about the person’s background, especially if they are Fil-Am, helps introduce a different perspective to people who otherwise may not know about the Fil-Am communities across the country. This, coupled with the growing exposure on television, help recover and incorporate the Fil-Am experience into the American experience.

By yeowatzup from Katlenburg-Lindau, Germany (Sunset, Bohol) via Wikimedia Commons

Sunset in Bohol

State of calamity declared in Bohol Due to Drought/ El Nino - The drought here in California has been quite disruptive to nearly all areas of life, from agriculture to commerce and the daily habits of its residents. While it seems like the new norm is water conservation (it’s not a bad thing!), I think it is important for people in the US to remember that global climate change is not limited to one or two nations, but is truly a GLOBAL condition that needs to be examined by all governments, collectively. At times, when agriculture sustains people with very tight margins for failure, it is all the more important for everyone to do what they can. While the California Drought may not have the same effect as it does for the people in PI, where “more than 40,000 farmers in 27 towns in Bohol, known as the rice bowl of Central Visayas, are facing hunger and loss of income,” its effects are seen in the reservoirs and lakes across the state.

Watch Policeman Teach A Homeless Girl To Play Hopscotch to Pass the Time - Sometimes it is too easy to see the negative in life, especially when those who are sworn to protect and serve display pockets of deplorable behavior, and outright murder, on specific ethnic populations. This is a short video about a non-violent experience with a police officer. These kinds of scenes are played out across the country all the time, but are rarely reported in mainstream media. This needs to change, and I watch videos like this and remember that, while not EVERYONE acts as they should, the police officers are, in general, positive presences that do the best they can seeing the roughest parts of our society everyday.

CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=865798

Chicken Adobo with Rice and Beans

Edible Cutlery - Conservation and light consumption has always been an important part of my outlook on life. This novel kind of solution to overconsumption and unthinking waste displays the ingenuity and value in finding plausible solutions for a growing global population. Particularly in places like the US, Japan and India, where utensils are used and disposed of heavily, these kinds of potential answers helps to reduce the burden on the environment and on production of these disposable products.

By Alexander Klimov at de.wikipedia (Own work) [Public domain], via Wikimedia Commons

The Guy Fawkes Mask has become a common representation of the Anonymous group

Voter Data Breach - I sometimes forget that everything placed on the Internet, or transported through the Internet, has the potential for being stolen or accessed by unwanted parties. In this case, the hacker cooperative Anonymous broke into the Philippine Commission on Elections website and reported on just how easy it was to access sensitive information. It appeared that some voter information was saved in a simple text file. “The breach contains the records of 1.3m overseas Philippines voters, including their passport details; it also includes 15.8m fingerprints,” according to the article. On a wider scale, this points to the fact that whenever information is given freely to another entity, be it a private company or a public office, it has the potential to be stolen. We all have to be careful with the data we share, and demand stronger protections from businesses and organizations that legitimately access and use our information in conducting their affairs.

Gun Battle Against Extremists - The global community must realize that the threat of extremism is not isolated to countries in “the West.” The threat of extremist behavior is not an East-West dichotomy, but a global phenomenon that points to the problems of HUMAN civilization. Here, in the volatile southern region of Mindanao, Philippines, Western Mindanao Command soldiers clashed with Aby Sayyaf Group extremist soldiers, the results being 18 dead government troops and 5 casualties on Abu Sayyaf forces. While it has been popular among politicians in the US to claim that extremists like these are conducting a religious holy war against Christianity and “the West” because they hate our culture and our freedoms, I would argue it is far more a symptom of the great global disparity in access to economic and basic, fundamental needs, but also the ongoing negative impact of the United States’ involvement in other countries. These extremist activities are far more inspired by the political and economic interests of the leadership, who layer their rhetoric with religious absolution for the consumption of the undereducated soldiers who ACTUALLY fight their battles. I believe education and understanding would go a long way in lessening the appeal of extremism for many underrepresented populations. If the religious extremist groups are the only ones who seemingly offer their family a roof and regular meals, how could a soldier refuse?

Movie Monday: "All for Liberty," a film by Chris Weatherhead, 2011.

[Public domain], via Wikimedia Commons

Sometimes it is not the most flashy or well-funded films nor, even, the story itself that is significant in a film. Part of the charm, perhaps, of historical dramas are that the filmmakers use creative license to create a coherent narrative, grounded in historical source material. All for Liberty is not a high-budget film, nor does it really stand up to modern Hollywood conventions, despite being released in 2011. This film depicts the struggle for Independence during the Revolutionary War, and centers on little known Henry Felder, a Swiss-German colonist who settled in South Carolina and participated in the war, alongside his family.

Felder is capably acted by descendant Clarence Felder, who brings his obvious passion for the story into his performance. Actor Felder's stage experience is clear as many acting techniques (which look overdone on film) are more suited to the limitations of live stage than film.

The film focuses on several events from Felder's life, including his writing of the Articles of Separation from the English King c. May 1776. There are several scenes of skirmishes with British forces as they advance through the South, and the film closes with the surrender of Cornwallis.

So little, outside the regional histories, is known about Henry Felder, and the fact that the screenplay was penned by a descendant brings some historical aspects of the film into question. As a viewer and a student of history, sources like this film become problematic without supporting evidence. Further, one must question the facts based solely on one point of view. For me, however, this is not the most significant aspect of this film. My favorite part of the film is actually the last ten or so minutes, as the dialogue shifts to a kind of "concluding paragraph" that asks the viewers to seek out information on those who are not celebrated in the historical narrative, and learn about the common men and women of historical events. Unfortunately, this is not always possible because sources often say little about the "little people," those who supported the heroes and folklore legends of history. This, for me, is the strongest lesson from this film. There is never just one man or one battle that created history, but a total narrative that covers the leaders and the followers, the logistical people, the "little people."

This film is not "good" in the traditional sense, and I often found myself looking at how much longer the movie was. It relies heavily on the story of Felder and even the battles, while more dramatic than most of the movie, are not the center of the story. Perhaps that, too, is a strength in disguise. Battles, while having a place in history, cannot be the only picture, so having a film focus on the people is refreshing. The acting quality is sporadic, and some actors seem miscast or caricatures based on a cursory investigation of a "common" 1770s colonist. The narrative also doesn't go much into the complex ethnic relations, mainly between Africans and Anglos. The film also only gives a simplified look at Anglo-Native American interactions, although does recognize that the Anglos were "inevitably" going to take over (of which the Native American character stoically nods). This film is not a documentary, although the longer expository voice-over narration gives that feeling. Nor is this film concerned so much with historicity as it is with telling Felder's story.

This film is a project of love, as Clarence Felder obviously appreciates the role of his ancestor in the Revolutionary War. Some viewers will be intrigued by the story and hopefully will be moved to investigate the lesser known stories lost to history. This is my hope for viewers of this film, that their curiosity will bring them to more interesting historical tales. Others will be deathly bored, and honestly I had my moments. The dubious origin of the screenplay, the romanticized relations between Africans, Native Americans and some Anglos (while existent, was not as equal as the film would have viewers believe), and the focus on a single man make the historical value rather weak. Nevertheless, the call for viewers to investigate the lesser known aspects of history is the single strongest message to come from a film recently, in my opinion. This film doesn't demand that we take one story to be the only story, and "official" version of history, and that, to me, is priceless.

Stream "All for Liberty" on Amazon Prime.

Movie Monday: "Last of the Mohicans" a film by Michael Mann, 1992

Last of the Mohicans (1992) a film by Michael Mann

I’ve held on to this film in DVD format for several reasons. Firstly, it is a good film that showcases quality actors and quality script that stands the test of time. Secondly, the price. $5 at a big box store. This historic drama tells the story of a quickly disappearing way of life, as two cultural worldviews come into conflict and inevitably arrive at an endgame where one side wins, and one side loses. Daniel Day Lewis plays the main protagonist, Hawkeye, an adopted white man frontiersman based on novelist Cooper’s character Natty Bumppo. His adopted father Chingachgook, played by Russell Means, who did not start his acting career until he was in his 50’s. Wes Studi portrays Magua, enemy of Colonel Munro (John Maurice Roëves) and a main antagonist of the film. The casting embraces diversity with sensitivity towards actors of indigenous ethnicity.

The opening shows Hawkeye (Lewis) stalking a buck with his adopted father (Means) and brother, Uncas (Eric Schweig). After their successful hunt, they thank the spirit of the animal and thank him for giving up his life for their benefit. They hunt and trap for their sustenance, trading with the Dutch for silver, as opposed to the British and French custom of trading in “wampum and whiskey.” Their frontier world comes to an end with the war between Britain and France impacting their settler neighbors and friends, the Camerons, who participate in the colonial militia in defense of their homes and in (nominal) support of the British Crown. When the need to protect their homes from war parties conflicts with the needs of the British military, the militia and fort commander Munro come into conflict as to which needs are more important.

The emotional impact of the film is reflective of Mann’s style of film-making. As a director, he portrays the emotional side of the story and the human element in subtle, but engaging, ways. The source material, he said, was a wealth of information but not the be all for his inspiration.

"It's not a very good book," Mann said of Cooper’s original novel. He mentioned the novel comes from a landholding perspective, and “is almost a justification for a massive land grab…that the Euro-Americans will be a better steward of the riches that God bestowed upon American Indians. And that, of course, was not the perspective of American Indians. So the revision of history was one of the things I didn't care for in the novel.” This reflects the times, when many investors saw stewardship of the American continent as justification for their increasingly harsh treatment of indigenous Native American groups.

While the story is historic fiction, Mann captures existential human conflicts that many viewers can relate to. Duty to a greater cause vs freedoms and liberties, self-interest and the honor of the ethnic group are among a couple of the qualities explored in this film.

Overall, this is a capable film that succeeds in drawing the viewer into the characters. While a few scenes seem forced, or the dialogue a little stale, it does not greatly detract from the quality of the film and the actors. Daniel Day Lewis famously only ate what he killed, and learned the skills of a frontiersman to give a more capable performance as Hawkeye. Viewers will appreciate such attention to detail, even though it sometimes teeters on the cliche “white man saves the minority” narrative that comes with such films and Dances with Wolves or Avatar.

Purchase or Stream "Last of the Mohicans" via Amazon

History Notes:

Native American cooperative relationships with European powers
Nathaniel Poe's role as central or peripheral to events
Source material of the original novel and the 1992 film
historical fiction vs factual information

Movie Monday: "John Adams" an HBO series by Tom Hooper

On the recommendation of history colleagues, I found a copy of the HBO Series “John Adams” at the local library, and I’m not disappointed. This historical drama follows the career and presidency of Founding Father John Adams, including his participation in the American Revolution and his activities in foreign arenas like France and Britain during the establishment of the American Government. This series doesn’t avoid the darker aspects of Adams’ experience, and seems to give a balanced view of his life.

Like many HBO series, the acting is on point. Lead Paul Giamatti brings this John Adams to life and reflects his educational background in theater and broadway. David Morse towers over the other characters as bigger-than-life General and President George Washington, and gives a subdued performance as the first leader of the new government. Laura Linney is an excellent Abigail Adams, giving life to the famous first Second Lady and second First Lady of the United States.

As the series opens, Adams (Giamatti) is a successful lawyer in Boston, with wife Abigail (Linney) and children John Quincy, Abigail and Charles. The cries of “Fire! Fire!” echo through his home as British soldiers fire upon a crowd of protesters to Britain’s overreaching influence in the colonies. Adams is the only lawyer in Boston willing to take the case, which opens him up to attacks and criticisms from his patriotic neighbors.

The benefit of a series such as “John Adams” is how human our founding heroes become when treated in a balanced manner. Putting aside the romanticism surrounding the founding of the United States, a student of history will appreciate the nuanced treatment. Additionally, the series does not marginalize the other key members among Founding Fathers (and Mothers), which can sometimes happen when a series focuses on one particular subject, or minimize their influence on the main character. The humanity present in this series brings the founding members down to a relatable level, in particular the balance between work and life, family, religion, and the fundamental principles of the United States.

What I found most instructive is how contentious the developing government of the United States was during the first few years. Every member had their own interests and concepts of who held what power, and the extent of that power over the individual states. As a newer student of early American history, I found these insights informative for future study. Additionally, the sheer weight of what was before the Revolutionary leadership, founding a new country, is not lost on the artists who changed the characters’ appearance based on circumstances. The various epidemics that swept the New England territories, coupled with the stress, play out on the faces of the actors throughout the series.

A viewer hoping to bolster their patriotic feelings will likely feel kinship towards the characters in this historical drama. Students of history will appreciate the perspectives of the film, and the contentious nature as more reflective of reality than the simple founding myths many of us grew up on. There is very little to fault in this series, from my perspective, as there was clearly enough financial support to give “John Adams” a suitable treatment.

Purchase or stream "John Adams" through Amazon

History Notes:

The differences between fact and fiction in historical drama (see historical inaccuracies)

Religion and political backgrounds of the Founding Fathers and others

Family life of John Adams

David McCullough's book "John Adams," inspiration for this HBO series

Movie Monday: "Picture Bride," a film by Kayo Hatta

Wikimedia Collection

Hatta, Kayo. "Picture Bride," starring Kido Yuki, Takayama Akira, and Tamlyn Tomita, 1995.

It was by chance I happened upon “Picture Bride” at the library and was moved to rent it. A riveting historical drama, "Picture Bride" depicts the life of a young Japanese immigrant woman working on the sugar cane fields in Hawaii during the early 1900s. It shows how both characters used deception to improve their chances of sealing the arranged marriage. Photography innovated the “picture bride” system that initially relied on written letters alone or face-to-face meetings. 

This film provides a solid script for strong performances that make the film particularly moving. Lead actress Kudo Yuki gives picture bride Riyo the emotional expressions that capture the apprehension and exhaustion a newly arrived city girl experiences under field conditions. Actor Takayama Akira ably expresses the hard life and defeatist mentality many bachelor field hands experienced under the Gentleman's Agreement of 1907 and prejudicial labor relationships. Finally, Tamlyn Tomita supports the leads with her capable performance as a strong young picture bride who must take on the roles of mother and mentor. One important aspect is that the cast are all capable Japanese and Japanese-American actors, a novel circumstance given the recent controversial casting choices in 2015 Hollywood.

When Riyo (Kudo) first arrives at the immigration office on the shores of the territory of Hawaii, she meets her husband for the first time, a field hand (Takayama) almost two decades her senior. This fact, not shown in the youthful photo he sent, sets up tensions from the start. The various hardships the two newlyweds face include prejudicial ethnic conflict with white overseers, labor conflicts with fellow Filipino field hands, as well as the appeal of gambling as a downtime activity. Couple this with the relationship built on lies and the film contains plenty of tension and conflict. The challenges these characters face will illuminate an almost forgotten historical exchange network that greatly disrupted immigration to the United States.

One of the strongest aspects of this film is the human element that makes it so relatable to a variety of viewers. Many of us can relate to the class challenges of trying to get ahead in a tough work and social environment, particularly when it seems like the paychecks are never quite enough. Viewers may relate with the ethnic conflicts that plague both historic societies and today. For me, this film made me realize how blessed I am in my own life, particularly the great physical toil these characters face each and everyday, and how they manage to find positives.

Overall, this film is a great peek into the historic condition of “picture brides” under the Gentleman's Agreement of 1907. Not only does it depict the ethnic conflicts Filipinos and Japanese field workers faced, but also the different ethnic hierarchies that native Hawaiians felt in relation to the Anglo landowners and European (Portuguese) overseers. While the film does slip into too much pathos at times, the narrative does manage to express an accurate depiction, perhaps less intense than some authentic experiences, of Japanese immigrants under an inherently prejudicial legal and social system. If you’re a fan of historical dramas, this may be the film for you. Please post comments or suggestions below, and what films you'd like to see reviewed in future posts.

Purchase "Picture Bride" or stream via Netflix here.

Historical Notes for discussion in the comments:

• The “picture bride” system for skirting the Gentleman's Agreement of 1907.

• Ethnic interrelationships and labor: Anglo and Euro owners vs. laboring minority; labor vs labor between Filipinos and Japanese

• Labor conflicts, the company store, $1 fee for lack of work, $. 65/day and $300 to go back to Japan

• Bachelor Societies: both Chinese and Japanese, Filipino immigrant men

• Aspire to be Rudolph Valentino, but Japanese actor Sessue Hayakawa came beforehand, but not in the dominant history

• Asian, mainly Japanese and Filipino actors cast in the film, Japanese language used instead of English (think Sayuri/Memoirs of a Geisha)

Film Review: Wang Xiaoshuai's Beijing Bicycle

 

By Scottmeltzer (Own work) [Public domain], via Wikimedia Commons

  Wang Xiaoshuai's film Beijing Bicycle covers a number of themes which other films within modern Chinese cinema tackle in various ways. The challenges brought about by change, modernity and commodities, the divide between the city and the countryside, personal relationships between classes and sexes, and the state of social structures within modern China are but a few. Taken on its own, this film is a powerful commentary on a number of institutions of modern China, but also focuses on the very human element of struggle.
  One theme which is apparent throughout the film is the challenge of rural migrants when confronted with urban living. As Barme says in the article “Bike Envy,” the film “portrays the young men and women from the country[...] as quiescent and dumb.” On a superficial level, the viewer sees Guei's character as weak in the face of adversity, in that he doesn't speak up when spoken down to. However, I believe a more sophisticated analysis coincides with Wright's view, namely that the silence of Guei, and to a lesser extent his older friend, reflects “his difference and wonderment at the city.” Furthermore, I would argue that it reflects the breakdown of communication between the two classes of “urban dweller” and “rural migrant,” in that the migrant will speak, yet no one will openly listen. It's as if the arguments would not only fall on deaf ears, but that the sheer fact that they are arguing the issues stems from an inherent characteristic of the “backward” rural population. This concept of the backwardness of rural workers segues into the concepts of stubbornness, which many people use to describe Guei.
  Stubbornness is a characteristic reflected within a number of characters within modern Chinese films, like Teacher Wei in Not One Less, or Qiu Ju in The Story of Qiu Ju. In Wang's words, the idea of stubbornness is what pulls the people through the challenges of city life. Furthermore, it reflects the harsh realities that rural people face when they move into the city. The fact that such a determined spirit is what is needed just to maintain a meager standard of living, namely for Guei to acquire and keep his bicycle and his job, reflects how stratified the economic systems have become between urban and rural areas. Similarly, we are left with questions of whether or not such a method for dealing with life is really productive. In Not One Less, the audience is left to wonder what the fate of the village chief will be, and how Qiu Ju feels about her experiences with the modern Chinese system of law. In Not One Less, the students are given new chalk, as well as some funds to (possibly) fix up the school and provide some new resources for their education. However, the audience is again left with a sense of incompleteness. Though they got a small donation, what of the rest of the time? Will the funding continue, or end when the story is no longer important? Like these characters, Guei's determination ended up getting him beaten, bruised, and his bike broken to pieces. However, it also allowed him to survive through the whole ordeal, and he did get his bike back. On the subject of the bike, the audience is left to wonder what the importance of the bike is.
  The bike represents some similar and different qualities which are important among the two boys, Jian and Guei. For Guei, the bike reflects his status in Beijing as a real resident, in that he has a job and he has some status among the urban dwellers. It further represents his livelihood, and a material good which he earned through his own hard work. Jian also uses the bike as a tool to gain status, among his friends and his girlfriend. Though he does push them away when he loses the bike, his status is severely decreased when he can't get it back. Both characters see the bicycle as a material possession, although they see it from different points of view. Additionally, the bike reflects Jian's desire to be associated with a pop culture, namely the X-Games style tricks on the bike. The materialistic and consumer society both characters face in another topic taken up within the film.
  Jian also treats his girlfriend as a material possession, completely ignoring her presence when in the arcade. In a way, both characters attack the perceived usurper of their material possession (with a brick). Guei attacks the thug who is destroying his bicycle, and Jian attacks the “Oakley Guy” who “stole” his girlfriend from him. The reflects both character's reactions to material culture, as well as their relationship to material goods. The commentary seems to be the attraction the youth have to material and consumer goods, whether it be for livelihood or entertainment. As we see with the characters of Unknown Pleasures, Jian seems to question what to do once he has all that he would want. When he is alone with his girlfriend, he attempts to get close, but can't seem to pull himself to make a move. Similarly, Guei is silenced throughout the film by the urban dwellers who challenge him. While not exactly reflecting his reactions to all his desires being met, it does reflect the arresting feeling he has at the new lifestyle.
  Beijing Bicycle was a challenging film to watch the first time through. I happened to catch it on the IFC channel long before attending this class, and didn't know what to make of it then. Now, with the benefit of practice at film analysis, as well as further knowledge of the kind of material the director wants to comment on, and the three-peat screening, I believe I have a good idea what the film was trying to say. I imagine further viewings will offer different commentaries, or a new discovery. But the film offers a great analysis of the challenges and changes happening within modern China.