Book Review: Still Missing: Amelia Earhart and the Search for Modern Feminism, Susan Ware.

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Book Review: Susan Ware. Still Missing: Amelia Earhart and the Search for Modern Feminism. New York: W.W. Norton & Company. 1993. $19.13.

Susan Ware’s book Still Missing: Amelia Earhart and the Search for Modern Feminism argues that Earhart, while most certainly an exceptional example of young womanhood during the 1920's, was definitely a product of time and place. Earhart reflected the rising understanding of liberal feminism, specifically that by showcasing the talents and abilities of the exceptional individual, the entire gender would adjust minds by “proving” the category “woman” held no inherent handicap in achievement.

Ware’s strength is in her choice of chronological structuring of her text. Earhart’s philosophies seem to develop organically, particularly between the period of 1928-1937, although not limited to this range. By taking a chronological approach, Ware is able to build the drama of the tale, though we all know what the outcome will be. Nevertheless, Ware’s narrative is not about the end result, but the significance of the journey and the substance of Earhart’s life. Chronology also allows Ware to showcase, in her chapter “Popular Heroines/ Popular Culture” other women who occupy the same exceptional, liberal feminist pantheon of legends, particularly Katherine Hepburn, Dorothy Thompson, and Eleanor Roosevelt, to name a few. These case studies further emphasis on individuals as exceptional examples of possibility for women.

Ware structures her argument organically. This emphasizes clarity in understanding in a linear fashion. One strength here is this very clarity and understanding, as we understand time moving in a linear way. A weakness may be the temptation of thinking the events of Earhart’s life and philosophy were inevitable, or though the author goes to lengths emphasizing at different levels when things may have taken a turn (such as Earhart’s choice to marry G.P. Putnam, or her decision not to have children, or her choice of doing a world-wide flight in 1936-7).

Ware successfully utilizes primary source documents, particularly the words of Earhart herself, to emphasize her brand of liberal feminism and how her words and deeds sparked the imagination of possibility among vast numbers of young women. Ware’s argument suggesting how Earhart’s words and actions supported her aims of expanding women’s access is further supported through her use of unpublished primary source documents like private correspondence, that further emphasizes not only Earhart’s steadfast support of liberal feminist philosophies (avoiding sex-based laws of help or hindrance) remain behind the cameras as much as before them. Even given the limited availability of other primary sources, due to fire at Earhart’s home, Ware does successfully utilize the sources available and seems to mine them very well to emphasize her arguments.

This book encourages the reader to not think of Earhart as a legend, though she certainly was an exceptional individual and a fantastic self-promoter (also thanks to G.P. Putnam. Ware wants us to consider her as a product of 1920's liberal feminism, and as a larger-than-life hero to so many young ladies who see the possibilities within the context of this specific society. Earhart represents these possibilities, and showcases, as the main thrust of this book emphasizes time and again, that women of the 1920's wanted an exceptional example of what women could do, and women like Earhart, Roosevelt, and Hepburn reflected this want. It also emphasizes that liberal feminism was the vogue way of looking at  women’s roles within society and the workplace (among white, middle-class women and their fans). It wasn't sex that one should focus on, but the individual ability and talents, regardless of sex. Nevertheless, the book does not gloss over Earhart’s limitations, nor the limits of liberal feminism. Both Earhart and liberal feminists were largely white, middle-class or upper-middle class, individuals with exceptional talent and exceptional opportunity. The plight of minority women, particularly African-American women and economically disadvantaged women, whose options to excel seemed particularly limited.

In conclusion, Ware’s book expands upon the understanding of Earhart as feminist, and avoids further expansion on Earhart the legend. Ware succeeds at contextualizing Earhart, which is the main emphasis of her text. Earhart was reflective of liberal feminist thought, her contributions unfortunately overshadowed by her unsolved disappearance. Ware ends with a treatment of why Earhart might have taken that last flight, as a publicity stunt for a slumping career or as an answer to the social shift away from 1920's feminine heroes towards 1940's suppression of mass feminist movements. Earhart’s potentialities were not diminished had she successfully returned from her flight, and Ware wonders whether she would have taken a post at Purdue as a researcher or counselor, or taken another aviation-oriented “second career.” One wonders whether or not we would even be studying her had she not disappeared!

Ware’s case studies of other women further places Earhart within a context, although does not bog the reader down in details unnecessary for her main purpose, which is greatly appreciated. It is a fine example of blending narrative and scholarship to produce a product that will appeal to academic and layman historian, although academic historians will likely find particular points of critique, as with any text.